Tyler Civic Theatre is a community theatre, which means that the actors who perform on our stage are everyday people who have a talent and interest in the theatre. Everyone from the novice to the most seasoned actor is welcome to audition for our productions. From musicals to comedies, dramas, and children's productions, there is something for everyone. We look forward to seeing you at an upcoming audition!
Audition Dates:
Aug. 5, 2019, 7 p.m.
Aug. 6, 2019, 7 p.m.
Audition Dates:
Sept. 9, 2019, 7 p.m.
Sept. 10, 2019, 7 p.m.
Audition Dates:
Sept. 30, 2019, 7 p.m.
Oct. 1, 2019, 7 p.m.
Audition Dates:
Oct. 14, 2019, 7 p.m.
Oct. 15, 2019, 7 p.m.
Audition Dates:
Dec. 16, 2019, 7 p.m.
Dec. 17, 2019, 7 p.m.
Audition Dates:
Jan. 27, 2020, 7 p.m.
Jan. 28, 2020, 7 p.m
Audition Dates:
Feb. 17, 2020, 7 p.m.
Feb. 18, 2020, 7 p.m.
Audition Dates:
March 23, 2020, 7 p.m.
March 24, 2020, 7 p.m.
Preparing for the Audition
- The days activities should be appropriately scheduled on the day of your audition. Be well rested and fed.
- Pre-read the play or songs for which the audition is being held if possible. Some publishers allow you to order a script. Find the publishers name listed with the play name above.
- Rehearse your song or monologue for the audition.
- Be aware of your needs for script, music and musical accompaniment in singing auditions.
- Dress appropriately for dance auditions: comfortable clothing and proper dance shoes.
- Call backs are sometimes held after auditions for the director to check voice, look, interaction or other factors that will help in casting. Callbacks do not mean that you are going to get a part and not getting called back does not mean you are not going to get the part. It is just an opportunity for the director to check something that might not have been apparent the first time around or to check dynamics of a group or pairing.
If you are cast, please fill out a medical release FORM CLICK HERE
(please print and Bring with you. it is mandatory)
Theater Terms
Audition. A formally arranged session for an actor to display his or her talents when seeking a role in an upcoming production of a play, film or television project, usually to a casting director, director or producers.
Blocking. In rehearsals, actors practice the required movements, in a pattern or along a path, for a given scene that allows them to avoid any awkward positions, such as one actor walking in front of another actor or standing with his or her back to the audience.
Callback. A second audition where an actor is either presented to the producer and director or, in the case of commercials, is filmed on tape again for final consideration.
Call Time. The time you are supposed to report to the set.
Cold Reading. Delivering a speech or acting a scene at an audition without having read it beforehand.
Diaphragm. The lower part of the lungs, filling the abdominal space, that supports the voice when actors and singers breathe correctly on stage.
Downstage. The area of the stage closest to the audience.
Greenroom. Where actors wait to go onstage. Not necessarily green.
Hot Sheet. A notice that comes out once a week with up to date information for actors.
Monologue. A speech used by an actor to demonstrate his or her ability at an audition.
Notes. Instructions, usually regarding changes in an actor’s blocking or performance, given after a rehearsal by the director, musical director, choreographer or stage manager.
Off-book. When an actor knows his or her lines and no longer needs to carry the script.
Props. Any moveable object, from a letter to a sword, used by an actor during a performance.
Read-through. When the director and the actors sit around a table and read through the entire script to get familiar with the story, their roles, and their fellow actors.
Stage Left. The side of the stage that is to the actor’s left as he or she faces the audience.
Stage Right. The side of the stage that is to the actor’s right as he or she faces the audience.
Strike. To remove something from a set, or tear it down.
Understudy. An actor, often playing a small role, who learns another role, so as to be able to perform it if the regular actor is ill.
Upstage. The rear area of the stage farthest from the audience; also used to describe an actor’s attempt to distract audience attention from what another actor is doing.
