In this riotously funny Southern-fried comedy, the three Verdeen cousins—Gaynelle, Peaches, and Jimmie Wyvette—could not have picked a worse time to throw their family reunion.
Their outrageous antics have delighted local gossips in the small town of Sweetgum (just down the road from Fayro) and the eyes of Texas are upon them, as their self-righteous Aunt LaMerle is quick to point out.
Having “accidentally” crashed her minivan through the bedroom wall of her husband’s girlfriend’s doublewide, Gaynelle is one frazzled nerve away from a spectacular meltdown. Peaches, a saucy firebrand and the number one mortuarial cosmetologist in the tri-county area, is struggling to decide if it’s time to have her long-absent trucker husband declared dead.
And Jimmie Wyvette, the rough-around-the-edges store manager of Whatley’s Western Wear, is resorting to extreme measures to outmaneuver a priss-pot neighbor for the affections of Sweetgum’s newest widower.
But the cousins can’t back out of the reunion now.
It’s on, Gaynelle’s hosting it, and Peaches and Jimmie Wyvette have decided that its success is the perfect way to prove Gaynelle’s sanity to a skeptical court-appointed psychologist.
Unfortunately, they face an uphill battle as a parade of wildly eccentric Verdeens gathers on the hottest day of July, smack-dab in the middle of Texas tornado season.
Things spin hilariously out of control when a neighbor’s pet devours everything edible, a one-eyed suitor shows up to declare his love, and a jaw-dropping high-stakes wager is made on who bakes the best red velvet cake.
As this fast-paced romp barrels toward its uproarious climax, you’ll wish your own family reunions were this much fun!
Click HERE for cast list.
Sister Act is the feel-good musical comedy smash based on the hit 1992 film that has audiences jumping to their feet! Featuring original music by Tony- and eight-time Oscar winner, Alan Menken (Newsies, Beauty and the Beast, Little Shop of Horrors), this uplifting musical was nominated for five Tony Awards, including Best Musical.
When disco diva, Deloris Van Cartier, witnesses a murder, she is put in protective custody in the one place the cops are sure she won't be a found: a convent! Disguised as a nun, she finds herself at odds with both the rigid lifestyle and uptight Mother Superior. Using her unique disco moves and singing talent to inspire the choir, Deloris breathes new life into the church and community but, in doing so, blows her cover. Soon, the gang is giving chase, only to find them up against Deloris and the power of her newly found sisterhood.
Filled with powerful gospel music, outrageous dancing and a truly moving story, Sister Act will leave audiences breathless. The cast is chock full of amazing roles for women of all ages, making this a perfect choice for high schools and community theatres. A sparkling tribute to the universal power of friendship, Sister Act is reason to REJOICE!
Click HERE for Casting Requirements.
SpongeBob SquarePants: The Broadway Musical is a stage musical, co-conceived and directed by Tina Landau with songs by various artists and a book by Kyle Jarrow.
It is based on the Nickelodeon animated television series SpongeBob SquarePants and made its world premiere in June 2016 at the Oriental Theatre in Chicago. - Wikipedia
Click HERE for Casting Requirements
In Lee Franklin's 2021 New Play Festival People's Choice Award Winning play, a group of older gents and their wives celebrate 25 years of friendship and the "joys" of getting older as they gather over their favorite games: Poker and Mahjong.
GLEN - a retiree in his late 60s, recently divorced and a complicated guy
STAN - a retiree in his late 60s, witty and always ready for fun
DICK - a retiree in his mid-70s, somewhat cantankerous but loveable
DAVID - a retired banker in his early 70s, wears being Jewish on his sleeve.
CHIP - yet to retire, mid-60s, seems a slight step behind, but with a good heart
RACHEL - divorced from GLEN, in her mid-60s, a thoughtful, caring woman with class
HELEN - married to DICK, in her mid-70s, equally as cantankerous, but with a good heart
RUTHIE - married to STAN, a retiree in her late 60s, very sensitive and emotional
SHELLEY - retired, early 70s, married to DAVID, fun, whitty and all about being Jewish
BARBARA - still working, mid-60s, married to CHIP, creative, loves singing and the Arts.
For 10 hard-luck Texans, a new lease on life is so close they can touch it.
Under a scorching sun for days on end, armed with nothing but hope, humor and ambition, they'll fight to keep at least one hand on a brand-new truck in order to win it.
In the hilarious, hard-fought contest that is Hands on a Hardbody only one winner can drive away with the American Dream.
Inspired by the true events of the acclaimed 1997 documentary of the same name by S.R. Bindler, produced by Kevin Morris and Bindler.
Click HERE for Casting Requirements
In this hilarious Christmas classic, a couple struggling to put on a church Christmas pageant is faced with casting the Herdman kids--probably the most inventively awful kids in history. You won't believe the mayhem - and the fun - when the Herdmans collide with the Christmas story head on!
This delightful comedy is adapted from the best-selling Young Adult book, and has become a holiday staple for groups across the United States! Features plenty of great roles for children and adults, a few favorite Christmas Carols, and a lot of laughs!
Click HERE for Casting Requirements
Two forms are required before you can audition, the Audition Information Sheet and the Media Release Form. Blank forms will be available at the Theatre, or, if you click HERE, you can print out blank forms, fill them in and bring them with you to the audition. NOTE: This is a 'fill-in' PDF form. Some browsers let you fill in the form fields on the form from the browser. Or, you can download the PDF and use a PDF reader (like Adobe Reader DC) to fill out the form on your computer and print out a nice, legible form to bring with you.
The Tyler Civic Theatre Center is dedicated to the health and safety of all employees, volunteers, actors, auditioners, cast, crew, patrons and visitors.
We are practicing social distancing and the instructions from experts and our state government.
This makes auditioning complicated. Each production has its own challenges.
Some auditions might be in social-distanced in-person. Others might use streaming technologies like Zoom. In other cases, the director may only want audition tapes (or other media).
There will be more specific information appended to this page for each specific audition as it becomes available.
Audition. A formally arranged session for an actor to display his or her talents when seeking a role in an upcoming production of a play, film or television project, usually to a casting director, director or producers.
Blocking. In rehearsals, actors practice the required movements, in a pattern or along a path, for a given scene that allows them to avoid any awkward positions, such as one actor walking in front of another actor or standing with his or her back to the audience.
Callback. A second audition where an actor is either presented to the producer and director or, in the case of commercials, is filmed on tape again for final consideration.
Call Time. The time you are supposed to report to the set.
Cold Reading. Delivering a speech or acting a scene at an audition without having read it beforehand.
Diaphragm. The lower part of the lungs, filling the abdominal space, that supports the voice when actors and singers breathe correctly on stage.
Downstage. The area of the stage closest to the audience.
Greenroom. Where actors wait to go onstage. Not necessarily green.
Hot Sheet. A notice that comes out once a week with up to date information for actors.
Monologue. A speech used by an actor to demonstrate his or her ability at an audition.
Notes. Instructions, usually regarding changes in an actor’s blocking or performance, given after a rehearsal by the director, musical director, choreographer or stage manager.
Off-book. When an actor knows his or her lines and no longer needs to carry the script.
Props. Any moveable object, from a letter to a sword, used by an actor during a performance.
Read-through. When the director and the actors sit around a table and read through the entire script to get familiar with the story, their roles, and their fellow actors.
Stage Left. The side of the stage that is to the actor’s left as he or she faces the audience.
Stage Right. The side of the stage that is to the actor’s right as he or she faces the audience.
Strike. To remove something from a set, or tear it down.
Understudy. An actor, often playing a small role, who learns another role, so as to be able to perform it if the regular actor is ill.
Upstage. The rear area of the stage farthest from the audience; also used to describe an actor’s attempt to distract audience attention from what another actor is doing.
Tyler Civic Theatre is a community theatre, which means that the actors who perform on our stage are everyday people who have a talent and interest in the theatre. Everyone from the novice to the most seasoned actor is welcome to audition for our productions. From musicals to comedies, dramas, and children's productions, there is something for everyone. We look forward to seeing you at an upcoming audition!