Auditions

Tyler Civic Theatre is a community theatre, which means that the actors who perform on our stage are everyday people who have a talent and interest in the theatre. Everyone from the novice to the most seasoned actor is welcome to audition for our productions. From musicals to comedies, dramas, and children's productions, there is something for everyone. We look forward to seeing you at an upcoming audition!

Upcoming Auditions

Little Shop of Horrors

Audition Dates

Aug. 21, 2017, 7 p.m.
Aug. 22, 2017, 7 p.m.

Description

 

AUDREY Bleached-blond, Billie-Dawn-like, secret love of Seymour's life. She has poor self-worth and education, but incredibly good looks and a sweet and vulnerable demeanor. Female, 25-35 yrs old Range: G#3 - D5

CRYSTAL, RONNETTE and CHIFFON African-American street urchins, acting as the occasional Greek Chorus. Young, hip, and smart, these girls are the only ones who have a grip on reality. Female, 20-35 yrs old Range: Ab3 - F5

MR. MUSHNIK The seasoned owner of the failing East Side flower shop and Seymour's nosy boss. He is profit-driven, greedy, and manipulative. Male, 55-65 yrs old Range: G2 - F4

ORIN SCRIVELLO An egotistical dentist with a passion for leather and sadistic tendencies. Audrey's abusive boyfriend, who is targeted by Seymour. Male, 30-40 yrs old Range: G2 - G4

SEYMOUR KRELBORN An insecure, put-upon florist's clerk and eventual hero. He is a genuine, well-meaning man who is taken for granted because of his clumsy ways and poor social skills. Male, 25-35 yrs old Range: A2 - G4

THE PLANT (AUDREY II) Puppet. An anthropomorphic cross between a Venus flytrap and an avocado, the plant has an appetite for human flesh that is appeased by Seymour. Puppeteer doubles as other sizes of the plant.

VOICE OF THE PLANT An actor/vocalist located offstage. The voice is that of a conniving, street-smart 'villain.' A funky Rhythm and Blues voice is best. Male, 20-50 yrs old Range: G2 - G4

Winnie the Pooh

Audition Dates

Oct. 2, 2017, 7 p.m.
Oct. 3, 2017, 7 p.m.

Description

 

Christopher Robin      a young boy
Winnie-the-Pooh   a teddy bear
Piglet    
Owl    
Eeyore   a donkey
Kanga   a mother kangaroo
Roo   her child
Rabbit    
Animal 1   a small rabbit
Animal 2   a small skunk
Animal 3   a rabbit
Animal 4   a rabbit
Voice   the narrator
Extras    

 

Christmas Belles

Audition Dates

Oct. 16, 2017, 7 p.m.
Oct. 17, 2017, 7 p.m.

Description

4 men, 7 women

I Never Saw Another Butterfly

Audition Dates

Nov. 20, 2017, 7 p.m.
Nov. 21, 2017, midnight

Description

  • Cast size: 4m., 7w. (4 children, extras.)

I'm Not Rappaport

Audition Dates

Dec. 11, 2017, 7 p.m.
Dec. 12, 2017, 7 p.m.

Description

Full Length Play, Comedy

5m, 2f

The Lucky O'Learys

Audition Dates

Jan. 29, 2018, 7 p.m.
Jan. 30, 2018, 7 p.m.

Description

CASTING

4m, 3f

Screwtape

Audition Dates

Feb. 19, 2018, 7 p.m.
Feb. 20, 2018, 7 p.m.

Description

CASTING

7m, 5f

The Odd Couple

Audition Dates

March 19, 2018, 7 p.m.
March 20, 2018, 7 p.m.

Description

CASTING

6m, 2f

OSCAR MADISON
FELIX UNGAR
GWENDOLYN PIGEON
CECILY PIGEON
SPEED
MURRAY
ROY
VINNIE

Frequently Asked Questions

What time do auditions start?
Generally, at 7 p.m. This can vary! Check the web site.

Should I read the script ahead of time?
Not a bad idea, unless you are great at cold readings. If it’s a classic play, you might find a copy in the library.

What happens when I get there?
If it’s your first time at TCTC, the producers will take a photo of you in the lobby and ask you to complete a page with name, contact information, and any conflicts you already have during rehearsal weeks. After you are seated in the theater, the director will call on persons to read selected portions of the script. Everyone else listens, so you’ll listen and read, listen and read, until everyone there has had a chance. It’s very non-threatening! If the show is a musical, in addition to reading from the script, you’ll also be asked to demonstrate your singing range (solo) and ability to follow dance steps (in a group).

Are shows pre-cast?
No. While it is theater policy for producers to make reminder calls so persons suited for roles are aware of auditions, there are regularly new actors in every cast. Can a role go to a brand-new, walk-in-off-the-street person? If he or she is the best person for the role, you bet! TCTC enthusiastically welcomes newcomers.

Should I come both nights?
Not necessarily – although, if you are free to do so, it gives the director a chance to hear you read with a variety of persons. Often at the close of a Monday night session, a director will indicate if he or she hopes everyone will return on Tuesday or whether it’s not needed. You are welcome to return to hear others or if you think you might improve on your first night's reading, but priority on Tuesday nights goes to those who couldn’t come on Monday.

Who decides on the cast?
For a non-musical, the director. For a musical, the stage director in consultation with the musical director and choreographer. Generally, a director will follow the playwright’s guidelines, but he or she may deviate from those for artistic interpretation or the availability of people in the community to take appropriate roles. It’s the director’s call.

How will I know who is cast?
If you are cast, generally the director will telephone you by Wednesday or Thursday to ask if you will accept the role he or she is offering. Once the cast members are confirmed, their names are posted on the web site. Per theater policy, the director or the producers will telephone or e-mail each person not cast. Because TCTC appreciates all who audition, we try to leave no auditioner "hanging" in silence. We want you to come back!

Rehearsals?
Check with the director during auditions, but rehearsals usually start the Monday after the week of auditions. For planning purposes, you should block your calendar from that date through the end of the show.

Any other tips?
Yes!

Speak distinctly. Enunciate. Enunciate. Enunciate.
Speak with carrying volume. Project. Project. Project.

While you’re reading, don’t turn your back on the director. He/She would like to see your facial expressions as well as hear you.