Tyler Civic Theatre is a community theatre, which means that the actors who perform on our stage are everyday people who have a talent and interest in the theatre. Everyone from the novice to the most seasoned actor is welcome to audition for our productions. From musicals to comedies, dramas, and children's productions, there is something for everyone. We look forward to seeing you at an upcoming audition!
Jesus: – Any race. Homeless, humble, gentle, caring, leader.
Vocal: Tenor – High G# - “Save the People”, “All for the Best”, “Alas for You”, “Beautiful City”, “Finale”
John/Judas: – Any race. Authority, ambitious, intelligent, strong. Faith: Sceptical due to his worldly intelligence.
Vocal: Baritone E above middle C – “Prepare Ye”, “All for the Best”, “On the Willows”
Nick: Male – Any race. Gay, hesitant, loving spirit, hopeful, quiet, energetic. Faith: Wants to believe, but struggles.
Vocal: Possible Baritone, has to have an E – “We Beseech Thee”
Telly: Male – Any race. Wheelchair bound, thankful, innocent, sweet. Faith: Strongly believes.
Vocal: Tenor – E above Middle C – “All Good Gifts”
George: Male – any race. Contemporary nerd, funny, smart, thoughtful, joker. Faith: Doubtful, would rather laugh.
Vocal: Tenor – G above Middle C – “Light of the World”
Anna Maria: Female, – any race. Emo, pop-punk, reserved, loyal, trusting. Faith: Wants to believe, but struggles
Vocal: Alto – “Day by Day”
Lindsay: Female – Any race. Eccentric, earth mother, caring, heart and soul, confident. Faith: Strongly Believes
Vocal: Power Soprano – High A and C# - “Bless the Lord”
Uzo: Female – any race. Pregnant, slow to commit, ashamed, hurt, grateful. Faith: Searching for faith, love in all the wrong places.
Vocal: Alto – “By My Side”
Morgan: Female – any race. Indie alt, sexy, cynical, urban, grunge, rough. Faith: Does not believe
Vocal: Low Alto (G below Middle C) to an F – “Turn Back O’Man”
Celisse: Female – any race. Mother of Dragons, hipster, relaxed, folk. Faith: Believes.
VOCAL: Mezzo highs/Alto lows a-A – “Learn Your Lessons Well”
Parts for Senior Actors
SAMUEL JONAS - a widower just past sixty-five, alert, spritely, attractive, a nice human being.
LAURA CURTIS - in her mid-sixites, a pleasant, neat, devoted widow, modestly dressed; pleasing to the eye.
MIKE CURTIS - son of Laura, a mid-thirites, hard-driving young businessman, with a nervous stomach.
CYNTHIA MORSE - daughter of Samuel, a suburban matron, neurotic, well-dressed, good-looking.
ELEANOR - Mike's wife, the face and smile of an angel, the soul and strength of a tyrant.
DR. ARTHUR MORSE - psychiatrist, husband of Cynthia, son-in-law of Samuel. Himself a bit of a neurotic.
BRUCE MORSE - grandson of Samuel, son of Cynthia and Arthur, sophomore at Columbia, a nice young man with active libido.
ANGELA - a Barnard sophomore, with an angelic look and a relationship with Bruce.
AUDREY Bleached-blond, Billie-Dawn-like, secret love of Seymour's life. She has poor self-worth and education, but incredibly good looks and a sweet and vulnerable demeanor. Female, 25-35 yrs old Range: G#3 - D5
CRYSTAL, RONNETTE and CHIFFON African-American street urchins, acting as the occasional Greek Chorus. Young, hip, and smart, these girls are the only ones who have a grip on reality. Female, 20-35 yrs old Range: Ab3 - F5
MR. MUSHNIK The seasoned owner of the failing East Side flower shop and Seymour's nosy boss. He is profit-driven, greedy, and manipulative. Male, 55-65 yrs old Range: G2 - F4
ORIN SCRIVELLO An egotistical dentist with a passion for leather and sadistic tendencies. Audrey's abusive boyfriend, who is targeted by Seymour. Male, 30-40 yrs old Range: G2 - G4
SEYMOUR KRELBORN An insecure, put-upon florist's clerk and eventual hero. He is a genuine, well-meaning man who is taken for granted because of his clumsy ways and poor social skills. Male, 25-35 yrs old Range: A2 - G4
THE PLANT (AUDREY II) Puppet. An anthropomorphic cross between a Venus flytrap and an avocado, the plant has an appetite for human flesh that is appeased by Seymour. Puppeteer doubles as other sizes of the plant.
VOICE OF THE PLANT An actor/vocalist located offstage. The voice is that of a conniving, street-smart 'villain.' A funky Rhythm and Blues voice is best. Male, 20-50 yrs old Range: G2 - G4
What time do auditions start?
Generally, at 7 p.m. This can vary! Check the web site.
Should I read the script ahead of time? Not a bad idea, unless you are great at cold readings. If it’s a classic play, you might find a copy in the library.
What happens when I get there?
If it’s your first time at TCTC, the producers will take a photo of you in the lobby and ask you to complete a page with name, contact information, and any conflicts you already have during rehearsal weeks. After you are seated in the theater, the director will call on persons to read selected portions of the script. Everyone else listens, so you’ll listen and read, listen and read, until everyone there has had a chance. It’s very non-threatening! If the show is a musical, in addition to reading from the script, you’ll also be asked to demonstrate your singing range (solo) and ability to follow dance steps (in a group).
Are shows pre-cast?
No. While it is theater policy for producers to make reminder calls so persons suited for roles are aware of auditions, there are regularly new actors in every cast. Can a role go to a brand-new, walk-in-off-the-street person? If he or she is the best person for the role, you bet! TCTC enthusiastically welcomes newcomers.
Should I come both nights?
Not necessarily – although, if you are free to do so, it gives the director a chance to hear you read with a variety of persons. Often at the close of a Monday night session, a director will indicate if he or she hopes everyone will return on Tuesday or whether it’s not needed. You are welcome to return to hear others or if you think you might improve on your first night's reading, but priority on Tuesday nights goes to those who couldn’t come on Monday.
Who decides on the cast?
For a non-musical, the director. For a musical, the stage director in consultation with the musical director and choreographer. Generally, a director will follow the playwright’s guidelines, but he or she may deviate from those for artistic interpretation or the availability of people in the community to take appropriate roles. It’s the director’s call.
How will I know who is cast?
If you are cast, generally the director will telephone you by Wednesday or Thursday to ask if you will accept the role he or she is offering. Once the cast members are confirmed, their names are posted on the web site. Per theater policy, the director or the producers will telephone or e-mail each person not cast. Because TCTC appreciates all who audition, we try to leave no auditioner "hanging" in silence. We want you to come back!
Check with the director during auditions, but rehearsals usually start the Monday after the week of auditions. For planning purposes, you should block your calendar from that date through the end of the show.
Any other tips?
Speak distinctly. Enunciate. Enunciate. Enunciate.
Speak with carrying volume. Project. Project. Project.
While you’re reading, don’t turn your back on the director. He/She would like to see your facial expressions as well as hear you.