Tyler Civic Theatre is a community theatre, which means that the actors who perform on our stage are everyday people who have a talent and interest in the theatre. Everyone from the novice to the most seasoned actor is welcome to audition for our productions. From musicals to comedies, dramas, and children's productions, there is something for everyone. We look forward to seeing you at an upcoming audition!
Ross Sullivan (m, approx. 17) - Constantly being turned around by Left and Right, not to mention August and Barry.
Left (open) - The left brain to Ross, analytical thinker, tries to remain professional.
Right (open) - The right brain to Ross, creative thinker, emotional.
Shira Goodwin (f, apprx. 17) - Creative, generous, hard-working.
August Lofaro (m, approx. 17) - A jokester, smug, a "ladies man" as he calls himself, best friend to Ross.
Barry Price (m, approx. 17) - Romantic, energetic, best friend to Ross.
5 men, 8 women
Total Cast: 13, Flexible Set
Miss Geneva Musgrave: Female, 50+
Honey Raye Futrelle: Female, 50+
Gina Jo (G.J.) Dubberly Waverly: Female, 20-29
Rhonda Lynn Lampley: Female, 50+
Twink Futrelle: Female, 40-49
Justin Waverly: Male, 20-39
John Curtis Buntner: Male, 40-49
Dub Dubberly: Male, 45-49
Frankie Futrelle Dubberly: Female, 40-49
Raynerd Chisum: Male, 20-29
Inery Dubberly: Female, 70-79
- Sophisticated visitor to Fayro
Buck Stickland: Male, 40-59
Cast List (tentative)
(4 female; 4 male)
Effie Melody White — lead singer of the Dreamettes
Deena Jones — backup singer of the Dreamettes; later lead singer
Lorrell Robinson — backup singer of the Dreamettes
Michelle Morris — backup singer; replacement for Effie
Jimmy (James Thunder) Early — principal soul singer
C.C. (Clarence Conrad) White — composer and brother of Effie
Curtis Taylor, Jr. — Cadillac dealer and manager of the Dreams
Marty — theatrical agent for J.T. Early
Stepp Sisters — four girl singers; non-speaking
Charlene — backup singer for J.T. Early
Joann — backup singer for J.T. Early
M.C. — master of ceremonies, Apollo Theatre
Tiny Joe Dixon — winning talent contest singer; non-speaking
Little Albert & The Tru-Tones — male quintet; non-speaking
Band (The James Early Band) — six male singers; non-speaking
Wayne — record producer/director
Dave — solo tenor; non-speaking
Sweethearts — two girl backup singers; non-speaking
Frank — press agent
Jerry Norman — nightclub owner
Carl — nightclub pianist; non-speaking
Five Tuxedos — male quintet; non-speaking
Les Styles — girls’ backup quartet; non-speaking
Edna Burke — applause meter reader; non-speaking
Dwight — TV studio director
Stage Manager — TV studio
Brian — pit orchestra drummer; non-speaking
Mr. Morgan — Effie’s lawyer
Security Guard — backstage, Chicago
Chorus Men & Women
The original Broadway production had a cast of 32 performers, including chorus. Some doubling was employed in the minor parts.
THE MARK TWAIN SHOW
Running Time: About 35-40 minutes
Flexible cast of 3, 2 Male, 1 Female
Easily adapted for larger cast
ACTOR 1: (M)
Plays MARK TWAIN, BEN ROGERS, KING HUBERT, COLONEL SHERBURN; also acts as NARRATOR.
ACTOR 2: (F)
Plays HARRIETTE THE REPORTER, JESS, PEASANT MAID, EVE; also acts as NARRATOR.
ACTOR 3: (M)
Plays MARK TWAIN, TOM SAWYER, DONKEY, ADAM, BOGGS; also acts as NARRATOR.
Cast size: 8-21 either gender, flexible, plus 2 offstage adult voices (m. and w.)
Full Length, Drama
15 men, 6 women
Total Cast: 21, Flexible Set
What time do auditions start?
Generally, at 7 p.m. This can vary! Check the web site.
Should I read the script ahead of time? Not a bad idea, unless you are great at cold readings. If it’s a classic play, you might find a copy in the library.
What happens when I get there?
If it’s your first time at TCTC, the producers will take a photo of you in the lobby and ask you to complete a page with name, contact information, and any conflicts you already have during rehearsal weeks. After you are seated in the theater, the director will call on persons to read selected portions of the script. Everyone else listens, so you’ll listen and read, listen and read, until everyone there has had a chance. It’s very non-threatening! If the show is a musical, in addition to reading from the script, you’ll also be asked to demonstrate your singing range (solo) and ability to follow dance steps (in a group).
Are shows pre-cast?
No. While it is theater policy for producers to make reminder calls so persons suited for roles are aware of auditions, there are regularly new actors in every cast. Can a role go to a brand-new, walk-in-off-the-street person? If he or she is the best person for the role, you bet! TCTC enthusiastically welcomes newcomers.
Should I come both nights?
Not necessarily – although, if you are free to do so, it gives the director a chance to hear you read with a variety of persons. Often at the close of a Monday night session, a director will indicate if he or she hopes everyone will return on Tuesday or whether it’s not needed. You are welcome to return to hear others or if you think you might improve on your first night's reading, but priority on Tuesday nights goes to those who couldn’t come on Monday.
Who decides on the cast?
For a non-musical, the director. For a musical, the stage director in consultation with the musical director and choreographer. Generally, a director will follow the playwright’s guidelines, but he or she may deviate from those for artistic interpretation or the availability of people in the community to take appropriate roles. It’s the director’s call.
How will I know who is cast?
If you are cast, generally the director will telephone you by Wednesday or Thursday to ask if you will accept the role he or she is offering. Once the cast members are confirmed, their names are posted on the web site. Per theater policy, the director or the producers will telephone or e-mail each person not cast. Because TCTC appreciates all who audition, we try to leave no auditioner "hanging" in silence. We want you to come back!
Check with the director during auditions, but rehearsals usually start the Monday after the week of auditions. For planning purposes, you should block your calendar from that date through the end of the show.
Any other tips?
Speak distinctly. Enunciate. Enunciate. Enunciate.
Speak with carrying volume. Project. Project. Project.
While you’re reading, don’t turn your back on the director. He/She would like to see your facial expressions as well as hear you.